My work explores the interplay between historical materials, personal development, and narrative transformation. I manipulate found text and imagery to create new perspectives, generating original content where distinct ideas merge to form an interdependent narrative.
 

I examine how objects and text can alter meaning, challenging fixed histories by deconstructing, rearranging, and reassembling them into something new. By integrating everyday objects in unexpected contexts, I reveal hidden relationships and reinterpret their intended significance.
 

I see objects as catalysts for reinterpretation. Through printmaking processes such as letterpress, etching, and screen printing, my work bridges the physical and the conceptual—where objects do more than illustrate ideas; they actively shape the stories being told.

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Albeit, each project takes on a life of its own, shifting and shaping the story in ways that may or may not fit neatly within the parameters of this statement—although, sometimes, it is good to step away from the projected narrative.